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David Wensel Photography

  • It Will Be Beautiful
  • At the Fall Interstice
  • Black and White
  • Bushwick
  • Palimpsest: Rewriting Place
  • Collar Counties
  • Inspired Response
  • Dwelling
  • Portraiture - Studio
  • Portraiture - Street
  • Artifacts
  • Workbook
  • Body Language/Doll Parts
  • First Last and Always
  • Blog
  • Contact
  • About

Palimpsests and the Ruins of Modernity

April 18, 2016

There is something about ruins and abandoned spaces. In his article, “Returning to Where We Have Never Been: Excavating the Ruins of Modernity,” Gonzalaez-Ruibal  properly notes that ruins and abandoned spaces often evoke strong feelings and makes us think about issues like decay, decadence, ephemerality, dystopia or failure. This is certainly why such places appeal to me.

Contemporary ruins however pose problems for urban managers and community caretakers that are often “solved” through efforts to renew urban spaces for what what might be considered more productive and wholesome uses. This overwriting of urban spaces has intrigued me as a palimpsestic process that reuses and often redefines the space as something related to and yet alternative to what came before. In a series of photographs,  I've tried to capture phases of the erasure of a particular urban palimpsest. 

The Brach Candy Factory on the west side of Chicago.

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Edges and Limits

Informed by longing and manifest in the urge to collect, partake, revere and commemorate, it is the archaeological imagination that creates mementos and interprets artifacts along the way to writing the stories we tell ourselves.